Works
Selected List
This is a list of currently available works and works in process, and not a complete list of works by this composer. Various other existing works, mostly those written before 2007, are withdrawn or under revision and are not listed here.
IN PROCESS
2017-2019 new works for chamber orchestra.
CURRENTLY AVAILABLE
2014-2017 the lion’s mouth (for secret denunciations) for flute, clarinet, tuba, e-guitar, alto voice, violin, viola, cello, double bass, and live electronics. (19′) (first performance: Ensemble Experimental | SWR Experimentalstudio (Südwestrundfunk | Southwest Broadcasting). ZKM | Zentrum für Kunst und Medien (Centre for Arts and Media), Karlsruhe, Germany, 2017.)
(read more information here)
2012-2014 luminous for alto flute and amplification. (28′) (first performance: Richard Craig. City University London, UK, 2014.)
2010-2011 the end is no process for oboe, bass clarinet, contrabass clarinet, flugelhorn, trombone, percussion, violoncello, double bass, electronic set-up. (27′)
(Published by Edition Gravis, Berlin.)
(view score)
2011 enclose for voice, piano, cello. (20′)
2010 after clearing for bass clarinet, soprano saxophone, accordion, steel string guitar, violin, viola. (3′) (first performance: Ensemble L’arsenale. Agimus Venezia, Italy, 2010.)
2010 opposing stricture for six voices. (6′) (first performance: Neue Vocalsolisten Stuttgart. Harvard University, Cambridge, U.S., 2010.)
(Published by Edition Gravis, Berlin.)
(view score)
2009 limit of correction for cello solo. (15′) (first performance: Frank Cox. CCRMA (Center for Computer Research in Music and Acoustics). California, 2009; first performance of revised version: Chris Gross. Harvard University, Cambridge, U.S., 2010).
(Published by Edition Gravis, Berlin.)
(view score)
2008 clearing (II) for string quartet. (9′) (first performance: Arditti Quartet. Orangerie, Darmstadt, 2008.)
2007 clearing (I) for string quartet. (13′) (first performance: Arditti Quartet. Philharmonie Luxembourg, 2007.)
2006 floors and walls for bass clarinet, accordion, piano, guitar, violin, violoncello. (12′) (first performance: sfSound members. CCRMA (Center for Computer Research in Music and Acoustics), California, 2007.)
2006 clearing for violin solo. (8′) (first performance: Yasutaka Hemmi. CCRMA (Center for Computer Research in Music and Acoustics), California, 2007.)
2001-2005 metōpē for oboe, bass clarinet, violoncello. (11′) (first performance: Ensemble SurPlus. Akademie Schloss Solitude, Stuttgart, 2005.)
1998-2003 obsecrations for piano solo. (20′)